I had an interesting comment on my previous entry (It's not rocket science) from an old student of mine. I remember S well. He was one of those lads in an early yr 11 of mine who totally convinced me that he would not achieve his potential - as he didn't believe in completing assignments...then proved me totally wrong by aceing the exams (the swine!) Actually I was delighted at how well he had done, it's nice and enlightening to get it wrong at times.
One of the things I remember about S, apart from his charm and his ability to talk his way out of any trouble (!) was the informal agreement we had that when he wanted to talk to me outside lessons, he either a) had to sit down while I stood, or, more often, b) found a staircase on which I stood and he spoke from ground level...The reason for this was that although I'm not short, S passed six foot before he was 16 and I didn't fancy spending the conversation looking up his nose! Yes, I remember S with great fondness and pride at his achievements.
But he's not the only one. S went the academic route and really succeeded, but then there was Ronnie. Ronnie hated school and was only hanging on by his fingernails because he wanted to go into the military and they wouldn't accept him if he was excluded, so we worked hard to keep him. The 'we' were myself, my lovely head of special needs and...my dogs.
Following a conversation with Sarah, the head of special needs about my father in law's work with Pat dogs (dogs taken in to hospitals to work with patients) she agreed to let me bring in one of my golden retrievers to see if their presence would have a calming effect on students. It did. I will never forget the first time Ronnie met Gwen (my goldie). He dropped to the floor and within minutes the stroppy teen was stroking the soft golden hair and was calm and gentle. From then on, Ronnie's first words to me every time he came to see me were "Where's Gwen?" and woe betide me if I hadn't brought her!
He got into the military by the way and although his success was not academic, he did achieve the award for being the best recruit of his year...
Then there was R my other boy soldier, whose calm presence in the classroom even managed to quell the likes of the Chav Princess (see earlier blogs) or the lovely B, a girl from the year after S, whose writing skills took my breath away with their power...I long to see her in print - she'll do well.
And now there's A who became head boy, whose lack of confidence vanished with the realisation that he was actually very good and whose charm and gentleness will make him a superb doctor, when he completes his education. Then there's V and Al and the other R, students who I will remember along with S and B and all the others who touched my heart and kept my teaching alive and I hope relevant. It's not just the teacher who affects the student, but the student will also have an effect on the teacher, if that teacher is willing to listen.
Sunday, 21 February 2010
Sunday, 10 January 2010
It isn't rocket science
I had a moment of pride the other day. My husband is a keen photographer and attends a local club for fellow enthusiasts. Well, a few weeks ago, at one of these meetings, he noticed a young woman sitting alone and looking rather lost. So he went over to chat to her and found that she was with her grandfather and that she was a keen photographer herself. While revealing this information she also told my husband that she was a student at the school at which I teach. So naturally, he asked her who her English teacher was. When she told him it was Mrs S (Me!) he asked her what she thought of her teacher.( A bit dangerous I thought!)
She told him that she really liked my lessons and that all the students wanted to be in them. When he asked her why this was, she told him that Mrs S "talks to us." (He then told her who he was, which probably embarrassed her a bit and made her glad that she hadn't said anything horrible about me!)
When he told me this story, I was actually moved. It was lovely to hear such comments about my teaching style direct 'from the horse's mouth' so to speak. But it also puzzled me. Why is it so strange for teachers to 'talk' to their students? Surely teachers haven't lost sight of the fact that students are people too?
To answer my own question, yes, many teachers have. I've had horrified comments about my relaxed style of teaching and that I'm encouraging disrespect and misbehaviour. This is rubbish. I've found that students respond better if treated with respect. After all, how are we to earn our students' respect if we don't show them any? I've also found that if any student is rude to me, in most classes, they are chastised by their own classmates and told that they 'can't talk to Miss like that!'
Generally speaking, I've found that the majority of students respond well if treated like people...after all, that's what most of them are!
There's a fine line between being friendly and being a friend. A teacher should be one and definitely not the other, after all, no sane adult wants to 'hang out' with kids... I've found that being friendly with the students and talking to them pleasantly, encourages them to behave in the same manner to me, thus making discipline simple and my life easier.
With my Yr 11 class (the girl in the photography club is in that group) I talk to them, (actually, its more accurate to say that we talk) not only about the texts we are studying, but also about current affairs, new ideas about writers, films, psychology, morality...in fact, anything that will a) set the mood for my lesson, or b) make what I'm teaching more accessible and relevant to the students.
After all, this isn't rocket science. It's education.
She told him that she really liked my lessons and that all the students wanted to be in them. When he asked her why this was, she told him that Mrs S "talks to us." (He then told her who he was, which probably embarrassed her a bit and made her glad that she hadn't said anything horrible about me!)
When he told me this story, I was actually moved. It was lovely to hear such comments about my teaching style direct 'from the horse's mouth' so to speak. But it also puzzled me. Why is it so strange for teachers to 'talk' to their students? Surely teachers haven't lost sight of the fact that students are people too?
To answer my own question, yes, many teachers have. I've had horrified comments about my relaxed style of teaching and that I'm encouraging disrespect and misbehaviour. This is rubbish. I've found that students respond better if treated with respect. After all, how are we to earn our students' respect if we don't show them any? I've also found that if any student is rude to me, in most classes, they are chastised by their own classmates and told that they 'can't talk to Miss like that!'
Generally speaking, I've found that the majority of students respond well if treated like people...after all, that's what most of them are!
There's a fine line between being friendly and being a friend. A teacher should be one and definitely not the other, after all, no sane adult wants to 'hang out' with kids... I've found that being friendly with the students and talking to them pleasantly, encourages them to behave in the same manner to me, thus making discipline simple and my life easier.
With my Yr 11 class (the girl in the photography club is in that group) I talk to them, (actually, its more accurate to say that we talk) not only about the texts we are studying, but also about current affairs, new ideas about writers, films, psychology, morality...in fact, anything that will a) set the mood for my lesson, or b) make what I'm teaching more accessible and relevant to the students.
After all, this isn't rocket science. It's education.
Decisions. decisions!
It's been snowing heavily so school's closed as no one can actually get on to the site, or even anywhere near the place. so I've been catching up on 'stuff.'
The exam syllabuses (syllabi?) are changing, so we have decisions to make - as to what new GCSE syllabus to choose. So today I've been reading the different ones. We have to choose between either our current one or going on to the Welsh board.
The syllabuses are pretty similar, except in the finer detail. I actually like the Welsh board and there's more to this preference than the fact of my being Welsh (even though I admit that this could be a factor!) I think the Welsh one is more interesting and I feel that our students would benefit from it. But it's actually quite hard.
Now why is this a problem?
Well, a while ago, the time to choose a new A level syllabus arrived. On examining the various choices, I found that I liked the Welsh board syllabus. I thought it required the students to be independent learners and the breadth of the syllabus, I felt, would help equip them for University. When I gave my opinion to the department, I was overruled as it was decided that the Welsh syllabus was too hard. I questioned this and gave my argument about preparing the students for higher education and that surely we should stretch the students?
I was told that some students struggled with A levels and we should not make it too hard for them or they wouldn't choose to do Lit...I then said that perhaps the answer lay in being more strict with who we allowed to take the subject as students who chose EnglishLit as a 'fourth' subject because they couldn't think of anything else to do...I was told that my view was elitist! Apparently the argument that A levels should in the main, prepare students for University, and not just provide them with something to do while they decided what to do with themselves, is unacceptable. I've always felt that A levels is the ideal time to prepare students for the independent learning of Uni and not a time to continue with 'spoon feeding.' Apparently, I'm wrong. Perhaps they're right and this is an elitist view after all...
So, you can imagine what I think about choosing a new GCSE syllabus. I can see the same argument arising, because the Welsh syllabus again is harder. The thing is, I don't see this as a bad thing. We should be stretching our able students and any teacher worth his or her salt should be capable of making something potentially difficult, accessible to the others.
But with the emphasis that is placed on results and league tables, I can see the problem with this view. I and my colleagues want the best for our students, but as a department it is also important to get the best possible results, as schools are judged on them. So whatI see happening is the same as what happened when we chose the A level syllabus, we will go with the one that we feel will get us the best results. There is nothing intrinsically wrong in this, as after all, the results are what will allow the students to get to jobs or A levels, or whatever. It just seems rather strange that the results are now what matter not whether or not the students get a full and rounded education, one that will equip them not just for A levels or University, but for life. And in the long run, surely the result of a full and rounded education is students who can take exams in their stride...and get good results?
The exam syllabuses (syllabi?) are changing, so we have decisions to make - as to what new GCSE syllabus to choose. So today I've been reading the different ones. We have to choose between either our current one or going on to the Welsh board.
The syllabuses are pretty similar, except in the finer detail. I actually like the Welsh board and there's more to this preference than the fact of my being Welsh (even though I admit that this could be a factor!) I think the Welsh one is more interesting and I feel that our students would benefit from it. But it's actually quite hard.
Now why is this a problem?
Well, a while ago, the time to choose a new A level syllabus arrived. On examining the various choices, I found that I liked the Welsh board syllabus. I thought it required the students to be independent learners and the breadth of the syllabus, I felt, would help equip them for University. When I gave my opinion to the department, I was overruled as it was decided that the Welsh syllabus was too hard. I questioned this and gave my argument about preparing the students for higher education and that surely we should stretch the students?
I was told that some students struggled with A levels and we should not make it too hard for them or they wouldn't choose to do Lit...I then said that perhaps the answer lay in being more strict with who we allowed to take the subject as students who chose EnglishLit as a 'fourth' subject because they couldn't think of anything else to do...I was told that my view was elitist! Apparently the argument that A levels should in the main, prepare students for University, and not just provide them with something to do while they decided what to do with themselves, is unacceptable. I've always felt that A levels is the ideal time to prepare students for the independent learning of Uni and not a time to continue with 'spoon feeding.' Apparently, I'm wrong. Perhaps they're right and this is an elitist view after all...
So, you can imagine what I think about choosing a new GCSE syllabus. I can see the same argument arising, because the Welsh syllabus again is harder. The thing is, I don't see this as a bad thing. We should be stretching our able students and any teacher worth his or her salt should be capable of making something potentially difficult, accessible to the others.
But with the emphasis that is placed on results and league tables, I can see the problem with this view. I and my colleagues want the best for our students, but as a department it is also important to get the best possible results, as schools are judged on them. So whatI see happening is the same as what happened when we chose the A level syllabus, we will go with the one that we feel will get us the best results. There is nothing intrinsically wrong in this, as after all, the results are what will allow the students to get to jobs or A levels, or whatever. It just seems rather strange that the results are now what matter not whether or not the students get a full and rounded education, one that will equip them not just for A levels or University, but for life. And in the long run, surely the result of a full and rounded education is students who can take exams in their stride...and get good results?
Friday, 24 July 2009
Romeo and Juliet and the reason why
Two days ago saw the end of term (big sigh of collective relief there.)So I was sitting in the English office contemplating the summer break on the last morning of term, when one of my Year Tens came in and handed me an essay. Come on! On the last hour of the last morning of the last day? But I gave her a bright smile, thanked her and bade her a good summer. And waited until the door had closed behind her to curse.
Actually, she was only doing what I had asked. I'd handed back the class' first draft of their Romeo and Juliet essays and had suggested in passing, that they should do the rewrite over the summer break, or, if they preferred, they could do it before and I would mark it for the beginning of next term. So, swallowing my unreasonable irritation, I read the first paragraph of her essay. And almost cheered. It was riveting. Enthralled, I read on.
By the time I had finished reading the six pages of closely typed A4 sheets, I had tears in my eyes. OK, I could say it was because I was very tired, or it was an allergic reaction to the accumulation of dust on the table. But these would be lies, because the reason for my reaction was simply the fact that the essay was superb. It was the best thing that I had read for a very long time. I had brilliant students in my last lovely year eleven and I've written loads about them, but this essay was something else. My best students from last year, achieved this quality of writing and understanding towards the end of their final year. This girl, has just turned fifteen. She has another year to go of her GCSE, and she's already writing like a very good A level student.
I've had a lot of fun with this girl while teaching R and J. She adores the play and won't hear a word against it. So needless to say, suggesting that Romeo was a bit of an idiot elicited an interesting response. When I suggested that the main theme of the play was not love, if she'd had a gun she'd have shot me! However, although she (very wisely) totally disagreed with me about a lot of what I said about the play, she's very, very bright and can hold her ground in an argument, something of which I thoroughly approve. And it was this originality that came out in her essay. The question had been about the methods that Shakespeare used to manipulate his audience's emotions in Act 3 Scene 5 (the scene when all Hell breaks loose with Juliet's father.) By the time I'd finished reading her essay, not only was it very clear that she completely understood what the Bard was saying, she'd also shown total engagement with the two lovers. Her work was polished, sophisticated and mature. I could give her nothing lower than full marks.
It's been a difficult term and for various reasons mentioned elsewhere, I was really wondering why on earth I was still doing this job. Then I read this girl's essay on Romeo and Juliet, and I rememered. And I ended the term with a smile.
Actually, she was only doing what I had asked. I'd handed back the class' first draft of their Romeo and Juliet essays and had suggested in passing, that they should do the rewrite over the summer break, or, if they preferred, they could do it before and I would mark it for the beginning of next term. So, swallowing my unreasonable irritation, I read the first paragraph of her essay. And almost cheered. It was riveting. Enthralled, I read on.
By the time I had finished reading the six pages of closely typed A4 sheets, I had tears in my eyes. OK, I could say it was because I was very tired, or it was an allergic reaction to the accumulation of dust on the table. But these would be lies, because the reason for my reaction was simply the fact that the essay was superb. It was the best thing that I had read for a very long time. I had brilliant students in my last lovely year eleven and I've written loads about them, but this essay was something else. My best students from last year, achieved this quality of writing and understanding towards the end of their final year. This girl, has just turned fifteen. She has another year to go of her GCSE, and she's already writing like a very good A level student.
I've had a lot of fun with this girl while teaching R and J. She adores the play and won't hear a word against it. So needless to say, suggesting that Romeo was a bit of an idiot elicited an interesting response. When I suggested that the main theme of the play was not love, if she'd had a gun she'd have shot me! However, although she (very wisely) totally disagreed with me about a lot of what I said about the play, she's very, very bright and can hold her ground in an argument, something of which I thoroughly approve. And it was this originality that came out in her essay. The question had been about the methods that Shakespeare used to manipulate his audience's emotions in Act 3 Scene 5 (the scene when all Hell breaks loose with Juliet's father.) By the time I'd finished reading her essay, not only was it very clear that she completely understood what the Bard was saying, she'd also shown total engagement with the two lovers. Her work was polished, sophisticated and mature. I could give her nothing lower than full marks.
It's been a difficult term and for various reasons mentioned elsewhere, I was really wondering why on earth I was still doing this job. Then I read this girl's essay on Romeo and Juliet, and I rememered. And I ended the term with a smile.
Tuesday, 14 July 2009
The 'Alan Shore technique'
My year tens have had their final lesson of the year. It consisted of the final few speeches from the class. One of my girls stood up and despite obvious nerves (which she conquered pretty quickly) delivered a riveting speech on tolerance and the monstrous (her word not mine) behaviour of racists who gain followers by pretending to be reasonable and patriotic. Her speech was technically brilliant. Any persuasive technique you could have wanted was there. Her passion and clear understanding of both her subject matter and the what I now call (and so do the kids) the 'Alan Shore technique' was evident in every line and every movement. She was wonderful.
And I wasn't the only one who thought so. The class listened in total silence, completely enthralled by her. When I asked for comments at the end, one of the students, who had mislaid her GCSE speaking and listening criteria said it was an A*. I asked her how she could be so sure if she didn't have the criteria in front of her and she said, "Everyone listened. You could have heard a pin drop. She used all the Alan Shore techniques, but more than that, we were all completely grabbed by what she said, and if that isn't total engagement of audience, I don't know what is."
I had to agree. She was correct. Of course she was.
But the thing was, it wasn't the fact that the student's speech was clearly an A* grade, it was the fact that the other students knew it and were happy for it to be an A*.
There was no jealousy or resentment, just genuine pleasure at the quality of work produced by one of their colleagues. They were, as a whole class, delighted by the work each and every one of them had produced.
During this entire exercise, they were supportive and generous with their praise and help. Not once did I sense envy at a good speech, or malicious glee at a less successful student's work.
When I tried to explain to a colleague that the first ten minutes of all my lessons are spent creating and developing an atmosphere where students feel relaxed, cooperative and part of a team, this is exactly what I was referring to. There is a feeling of friendship in the class. A feeling of everyone being in it together. It takes a while to create this, and sometimes it doesn't work. But it was nice to see in that last lesson, that in this class, it had.
And I wasn't the only one who thought so. The class listened in total silence, completely enthralled by her. When I asked for comments at the end, one of the students, who had mislaid her GCSE speaking and listening criteria said it was an A*. I asked her how she could be so sure if she didn't have the criteria in front of her and she said, "Everyone listened. You could have heard a pin drop. She used all the Alan Shore techniques, but more than that, we were all completely grabbed by what she said, and if that isn't total engagement of audience, I don't know what is."
I had to agree. She was correct. Of course she was.
But the thing was, it wasn't the fact that the student's speech was clearly an A* grade, it was the fact that the other students knew it and were happy for it to be an A*.
There was no jealousy or resentment, just genuine pleasure at the quality of work produced by one of their colleagues. They were, as a whole class, delighted by the work each and every one of them had produced.
During this entire exercise, they were supportive and generous with their praise and help. Not once did I sense envy at a good speech, or malicious glee at a less successful student's work.
When I tried to explain to a colleague that the first ten minutes of all my lessons are spent creating and developing an atmosphere where students feel relaxed, cooperative and part of a team, this is exactly what I was referring to. There is a feeling of friendship in the class. A feeling of everyone being in it together. It takes a while to create this, and sometimes it doesn't work. But it was nice to see in that last lesson, that in this class, it had.
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